Neil M. Denari Architects
Information

HOUSE            

Karesansui House
Plate Graphics House
Trimmed Circle House
Alan-Voo House
ST House
M&L House
Selby Avenue House
ADU No. 1
No Mass House
CLT House
Micro-Footprint House


OFFICE                

9000 Wilshire
5600 West Adams
Wellness Center
Sotoak Pavilion
3 Vessels
Endeavor
Media Office Block
Green Brick Prism
Orange Square


HOTEL           

La Brea Hotel
Alsace Hotel
6AM Hotel
Qualia Hotel

HOUSING         

HL23
902 Davie
2 Burrard Place
130 West Broadway
320 La Cienega
Shift Stack Housing
Permanent Shadow
Porsche Design Tower
Dos Rios Housing
Slavyanka City
Kite City
Torre del Golf
NEU Development
Aomori

INSTITUTIONAL       

Wildwood School
MOCA
Chapel in the Forest
Sori Yanagi Museum
Hameetman Center
CUHK Student Center
Maribor Museum
Carlow Art Center
Arlington Museum of Art

COMMERCIAL

Romaine Arches
Sycamore Arches
Commissary
Twentieth
MUFG Nagoya
MUFG Ginza
MUFG Umeda
Ningbo Bar Tower
l.a. Eyeworks
Casey Kaplan Gallery
Adidas Outlet Store
Thinkpark

TRANSPORTATION        

Keelung Terminal
Peach Airlines
Houston Central Station

BOOK             

Annotated Notebooks
ONICS
MASS X

OSU Baumer Lectures
Gyroscopic Horizons
Interrupted Projections

FURNITURE       

Shift_Leg Table

EXHIBITION

T-Space
The Artless Drawing
Vert-Eco
TROIA
Gallery MA_IP
Fluoroscape
Close - Up
Chess & Go


MEDIA

Monorad
Currency Design

ARCHIVE

Cor-Tex   1982-98
NMDA    1998-     

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Site Design: INNER IDEAL
©2024 NMDA_LA

Year of the Dragon




MASS X / 2018
Multigraph



Publisher:           Bruce Lan, AADCU, Beijing
Book design:     Neil Denari
Mgmt:                 Kara Greenetz
Editing:               Linda Hart, PhD
Size:                     210 mm x 265 mm / 775 pages
Weight:               2.2 Kilograms
Photos:               Benny Chan / Fotoworks

Consisting of a nearly exhaustive documentation of fifty projects and twelve texts, MASS X is a multigraphic volume organized around the concept of architecture's role as a medium of experimentation that takes its place within the field of all contemporary media. If the marketplaces of global life are conventionally thought to be limited by the minimization of risks of all kinds (cultural, economic, social, etc.), and if architecture labors under this duress as a medium whose expense, weight, and intended permanence make it the most risk averse medium of all, then questions
are raised as to how the attributes (new formalisms, new experiences, unwanted functions, etc) of an experimental architecture can redefine both the logic of capital and also the logic of its own system of production.  MASS X documents on the one hand the emergence of NMDA's building practice, and on the other, the continuing trajectory of cultural analysis begun in Gyroscopic Horizons (Princeton Architectural Press, 1999).